An industrialist who tested an unfinished performance enhancer on himself to save his own company, and got a second person out of the deal.
Willem Dafoe’s Green Goblin is the first great villain of the modern superhero film and, twenty years later, still the most frightening. The construction is simple: Norman Osborn takes his own unfinished serum because the board is about to remove him, and it gives him a second personality that is better at his job than he is.
No Way Home brings him back and does the one thing that could justify it. He is the only one of the returning villains who is not looking for a cure, and the film lets him take everything from a teenager who was trying to help him.